{"product_id":"rme-digiface-aes-24-bit-192-khz-2x-analog-i-o-usb-interface","title":"RME Digiface AES 24 Bit \/ 192 kHz, 2x Analog I\/O USB Interface","description":"\u003cp\u003eThe latest Digiface AES is a professional, bus powered 14 input and 16 output channel USB 2.0 interface with 2 Mic\/Line universal analog input channels and 4 analog output channels (2 XLR, one TRS phones) complementing its digital I\/O section. With an excellent set of digital connectivity, SteadyClock FS, full stand-alone operation and built-in parametric EQ, the Digiface AES shines as the perfect all-in-one solution for recording and playback of digital and analog sources, as well as flexible playback\/monitoring via TotalMix FX.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eBuspower compatibility meets flexible Analog I\/O Performance\u003c\/h2\u003e\n\u003cp\u003eFor the main inputs RME uses the proven mic\/line preamps in XLR combo configuration of the Babyface Pro FS. Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 75 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003c\/p\u003e\n\u003cp\u003eOn the back of the Digiface AES there are 2 balanced analog outputs via XLR male to drive power amps, active monitor speakers, or recordings. The headphone output allows additional and independent high quality monitoring, providing sufficient output power and volume on high and low impedance headphones.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eVersatile Digital Input and Output Connectivity\u003c\/h2\u003e\n\u003cp\u003eThe comprehensive set of digital I\/Os, centered around an AES\/EBU input and output via XLR, also includes SPDIF coax, SPDIF optical or 8-channel ADAT. All I\/Os can be used simultaneously, turning the unit into a swiss army knife interface that receives and sends all common digital audio formats. An integrated SRC (Sample Rate Converter) can be switched to one of the three inputs to solve clocking issues and to adapt to other sample rates. This allows, for example, the device to be AES clock-synchronized from the main source and to listen to SPDIF independently at the same time. MIDI I\/O via an included breakout cable completes the package.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eFull Stand-alone Functionality\u003c\/h2\u003e\n\u003cp\u003eConvenient, direct access and control of all features and the device is available directly from the front panel. Four keys and the encoder, the high-resolution and clear color display, and a well thought-out menu structure allow for quick changes and configuration of the device.\u003c\/p\u003e\n\u003cp\u003eSix different device setups can be stored into internal memory. With these the interface transforms into totally different devices by the simple click of a button, which is especially useful in stand-alone mode. Furthermore TotalMix FX can also be controlled externally via MIDI.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePowerful Applications for Mixing, Monitoring and Measurement included\u003c\/h2\u003e\n\u003cp\u003eThe Digiface AES also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003eTotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eSteadyClock FS - Reference class Digital Clocking\u003c\/h2\u003e\n\u003cp\u003eExcellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is, with lowest jitter and highest jitter immunity.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eTotalMix FX - Mixing\/Routing with superior features for Studio and Live Work\u003c\/h2\u003e\n\u003cp\u003eSince 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eDigiCheck - The Secret Weapon of High Resolution Audio Measurements\u003c\/h2\u003e\n\u003cp\u003eRME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eRME USB - Transport audio with lowest latency and industry leading stability\u003c\/h2\u003e\n\u003cp\u003eUse your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for our products. RME Audio develops its own interface core, it’s not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay.\"\u003c\/p\u003e\u003ch2\u003eDigiface AES\u003c\/h2\u003e\n\u003ch2\u003eAnalog\u003c\/h2\u003e\n\u003ch2\u003eMicrophone\/Line In 1-2, XLR\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance balanced @ 1 kHz: 2 kOhm, PAD 5,3 kOhm\u003c\/li\u003e\n\u003cli\u003eInput impedance unbalanced @ 1 kHz: 1 kOhm, PAD 2,6 kOhm\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 0 dB: +8 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 65 dB: -57 dBu\u003c\/li\u003e\n\u003cli\u003eGain range: 65 dB\u003c\/li\u003e\n\u003cli\u003eEIN: -129 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0,1 dB: 16 Hz – 20,4 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0,5 dB: 7 Hz – 45,8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response PAD @ 44.1 kHz, -0,1 dB: 5 Hz – 20,4 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response PAD @ 96 kHz, -0,5 dB: 2,5 Hz – 45,8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response PAD @ 192 kHz, -1 dB: 2 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0,0003 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -106 dB, \u0026lt; 0,0005 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eTRS In 1-2\u003cbr\u003eAs XLR, but:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 kHz: 12 kOhm balanced, 6 kOhm unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 0 dB: +24 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 65 dB: -41 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0,1 dB: 2 Hz – 20,3 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0,5 dB: 1,5 Hz – 44,3 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 1 Hz – 70 kHz\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDA, Line Out 1-2\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eOutput level switchable +19 dBu, +13 dBu, +4 dBu\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR) @ +19 dBu: 120 dB (AES17), 123 dBA\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR) @ +13 dBu: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR) @ +4 dBu: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0,5 dB: 0 Hz – 20,7 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0,5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz – 90,8 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0,0003 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: -110 dB, 0,0003 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 300 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDA - Stereo Monitor Output Phones (7-8)\u003cbr\u003eas DA, but:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack,unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, High: +13 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, Low: +7 dBu\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ High: 120 dB (AES17), 122 dBA\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ Low: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 5 Ohm\u003c\/li\u003e\n\u003cli\u003eMax power per channel, 32 Ohm load, 0,1% THD: 80 mW\u003c\/li\u003e\n\u003cli\u003eTHD+N @ 32 Ohm load: -105 dB, 0,0005 %\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eMIDI\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 x MIDI I\/O via breakout cable with 2 x 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003eGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003eHi-speed mode: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003eSeparate 128 byte FIFOs for input and output\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDigital\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, AES, SPDIF, ADAT\u003c\/li\u003e\n\u003cli\u003eJitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: near zero\u003c\/li\u003e\n\u003cli\u003eDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 28 kHz up to 200 kHz\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDigital Inputs\u003c\/h2\u003e\n\u003ch2\u003eAES\/EBU\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/li\u003e\n\u003cli\u003eSPDIF compatible (IEC 60958)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSPDIF coaxial\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 x RCA,according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eADAT Optical\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK, Format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003eLock Range: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSRC\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThe inputs AES, SPDIF coaxial or SPDIF optical switchable\u003c\/li\u003e\n\u003cli\u003e2 channels, 32 up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eMax. conversion ratio. 1:7 and 7:1\u003c\/li\u003e\n\u003cli\u003eTHD+N: -139 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR): 139 dB (AES17), 142 dBA\u003c\/li\u003e\n\u003cli\u003eLatency: 109 Samples, 2,47 ms @ 44,1 kHz, 1,14 ms @ 96 kHz, 0,57 ms @ 192 kHz\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDigital Outputs\u003c\/h2\u003e\n\u003ch2\u003eAES\/EBU\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eXLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eOutput impedance 5 Vss\u003c\/li\u003e\n\u003cli\u003eFormat Professional according to AES3-1992 Amendment 4\u003c\/li\u003e\n\u003cli\u003eSingle Wire Mode, Supported sample rates: 28 kHz up to 200 kHz\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSPDIF coaxial\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 x Cinch, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eOutput impedance 0,7 Vss\u003c\/li\u003e\n\u003cli\u003eFormat Consumer (SPDIF) according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eSingle Wire Mode, Supported sample rates: 28 kHz up to 200 kHz\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eADAT\u003c\/h2\u003e\n\u003ch2\u003e1 x TOSLINK\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e  Standard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eGeneral\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply: USB bus power or external power supply\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 3 Watt\u003c\/li\u003e\n\u003cli\u003eCurrent at 12 V external power: 250 mA (3 Watt)\u003c\/li\u003e\n\u003cli\u003eDimensions (BxHxT): 215 x 44 x 130 mm (8.46\" x 1.73\" x 5.1\")\u003c\/li\u003e\n\u003cli\u003eWeight: 880 g (1.94 lbs)\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pitbull Audio","offers":[{"title":"Default Title","offer_id":46578524258470,"sku":"RME-DIGIFACE-AES","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2633\/8214\/files\/rme-digiface-aes-1.jpg?v=1755108868","url":"https:\/\/mymusic.market\/products\/rme-digiface-aes-24-bit-192-khz-2x-analog-i-o-usb-interface","provider":"My Music Market","version":"1.0","type":"link"}